Obviously! Menzel is clearly the big talent in the singing stakes and her show stopping number Let It Go is destined to become a Disney classic, bravely turning what could have been a villainous moment into an anthem of empowerment. Things are no different here, but while many animated films feel clunky when singing is introduced, this has always been a huge strength of Disney animation and IвЂ™m happy to say that after some forgettable tracks from Tangled, the studio is back on top form with a songbook created by the husband and wife songwriting team of Robert Lopez and Kristen Anderson-LopezвЂ¦ they worked together on The Book of Mormon and Avenue Q. Love or hate it, all Disney characters have an almost psychotic need to express their emotions in a loud and unabashed Broadway style number. Instead, Frozen remains relevant through itвЂ™s fresh humour and feisty lead characters who donвЂ™t try too hard to be edgy, unlike the ill fated protagonists of Treasure Planet and even Lilo & Stitch. Is the Duke of nearby Weselton (Alan Tudyk) after the throne of Arrundel for himself? Is Prince Hans (Santino Fontana) really as clean cut as he seems? Or is Elsa the real villain of the piece, holed up in her enchanted castle of ice as the population starve around her, caught in the snowstorm she created? ItвЂ™s refreshing to watch a Disney animation that doesnвЂ™t dumb itself down for younger audiences. One animator has been controversially quoted as saying that female characters are harder to animate as they need to be kept pretty while expressing emotionsвЂ¦ Ironically, the real villain of the piece is less clearly defined, demonstrating a new and more mature approach to storytelling, the likes of which we have never seen before from Disney. Feminist film critics will have a field day dissecting exactly what this now means for the future of princesses in Disney animation but apparently, this forward thinking representation of women wasnвЂ™t shared by all members of the creative team. ThatвЂ™s right guys love may be in the air but once shit hits the fan, the Princess becomes more concerned with saving her family and kingdom then shacking up with the first Prince she meets. Despite a royal upbringing, Anna lacks the grace and finesse of other Disney princesses, making mistakes along the way as she fights to save her sister.

Sure, Anna is a pretty princess searching for love but once her character is established, the script takes delight in confounding the audiences expectations. Not like a certain green skinned ogre we all know and love thenвЂ¦ Take the lead character for example.

True, Frozen does contain many of the ingredients common to most Disney films вЂ“ beautiful princesses, dashing princes, comedy sidekicks вЂ“ but what their latest offering excels at is turning these conventions on their head without ramming it in your face. As Anna (Kristen Bell) races to find her sister and restore order to Arundell, she is joined by Kristoff (Jonathan Groff), a charmingly rugged ice harvester who travels with a trusty reindeer companion and Olaf (Josh Gad), a surprisingly likable snowman brought to life by ElsaвЂ™s magic. Co-directors Chris Buck (Tarzan) and Jennifer Lee (Wreck-It Ralph) oversee the story of two sisters who clash when Elsa (Idina Menzel) accidentally reveals her ability to control snow and ice, plunging their kingdom into an eternal winter as she retreats into exile.

ItвЂ™s ironic that Frozen has been brewing behind the scenes for over 70 years, as itвЂ™s the first film to capture the magic of classic Disney since The Lion King. Finally, in 2013, the Magical Kingdom has nailed it with their 53rd animated classic Frozen, which had the largest ever opening weekend for a Disney animation in the studioвЂ™s history. Since the 1940s, the worldвЂ™s most iconic animation studio has tried it darndest to adapt Hans Christian AndersenвЂ™s classic fable The Snow Queen, but not even the great Walt Disney could get it right.

The lion king 2 full movie megashare